We have slides from all episodes. We're still scanning them!

Where did these images come from?
Why are most of the slides so red?

Images by Episode
Probe (Two Hour Pilot)  Live Men Tell Tales  Numbered for Death
 The Murrow Disappearance  The Bullet  Countdown to Panic
 The Gold Machine  The Adonis File  The Clayton Lewis Document
Moonrock  Suffer My Child  The Mattson Papers
 One of Our Probes is Missing Flight to Nowhere  Goddess of Destruction
 Operation Iceman Let Us Prey  Moment of Madness
 Short Circuit A Honeymoon to Kill  Ends of the Earth
 In Search of Midas  The Packagers  Misc. Production Slides
 Various Episode Clips From Don Harden and Actingman
 The 24 Carat Hit Clips from collection of Robert Greenberger

Clips from Collection of Bill Webb


Where did these images come from?

During the 70's, Lincoln Enterprises sold Search merchandise through their catalog. The slide scans that were sold were actual stock that had gone through the cameras, the frames were then cut-up, mounted and sold as slides. We have several members who had the excellent forsight to purchase these slides.

The Probe images are video screen grabs from the Unicorn Video issue of Probe   The images from the last eight produced episodes are video grabs from the episodes as we find them.  To the best of our knowledge, Lincoln Enterprises never sold any clips from the final eight episodes.
 

Why are most of the slides so red?

The slides that we have scanned have turned red over the years. When they were originally purchased from Lincoln Enterprises, they appeared normal. www.film-center.com reports that 90% of most film stock is what is called "Eastman" type. Eastman type stock has been found to turn red over time. People have tried to restore such faded red film with no success. Some projectionists try color filters over the lens with mixed results. An exception to this is the Eastman 3b stock, used by MGM from 1969 to 1974. Another exception is some Eastman stock made in 1982, but nobody knows why these films hold up better. The only way to slow down this process is to store your films in as low a temperature and humidity as possible. NOW they tell us!